![]() ![]() It’s the second prominent humanoid figure to feature heavily in the series, and just as Season 1 gradually revealed more about the show’s mystery via the fake baby, the mannequin’s significance is teased throughout the majority of Season 2 before things become clearer in the final episodes. Which is where the ominous and mysterious mannequin that casts a looming shadow over the action in Season 2 comes in. Even in flashbacks, it has to be in the house.” Shyamalan hints that they had to find creative ways to explore certain elements in order to both circumvent pandemic limitations at the same time as serve the nature of the story: “We’ve contained the show to this house and we can’t really leave it. “The mannequin is a portal to talk about the past.” - M Night Shyamalan The stoves work, the plumbing all works, so it’s kind of an interesting experiment that way.” It feels like filming a play - and everything in the house works, everything is practical. I quite like that we all have this quite intense experience happening between these four characters in this one setting. It’s like a play that takes place in this one Philadelphia brownstone - that is the nature of the show. Servant has been no different, but given that the action has always been relatively contained throughout Season 1 – revolving around the couple’s plush Philadelphia brownstone house - those involved in Shyamalan’s project were able to adapt better than others to imposed restrictions.Īmbrose says, “That was one of the reasons why we were able to be a show that can actually shoot right now, because our show is so contained and there are only a few characters in it. And maybe not be so sceptical – was surprising to me.” Getting Creative with the Mannequin Nell Tiger Free as Leanne in Servant Season 1.Īs with many productions over the past year, global lockdowns and social distancing measures have posed a challenge for filming. And he starts to find some belief in this church that Leanne and Uncle George belong to, so he starts to find some solace, perhaps. “He’s lost his sense of smell, and at the end of Season 1, you see that he’s losing his sense of feel touch. Sean, let’s not forget, has also been through the mill having lost a child and holding himself partly accountable. “For me, my character seems to need something to fill the void I guess,” he says. Kebbell says that on reading the script, his character development also surprised him. Ducournau’s Raw delighted in gore and body horror, which manifest themselves in one memorable scene in this series in particular, involving Sean. ![]() A willingness to lean into the show’s horror elements meant that acclaimed director Julia Ducournau was brought on board to direct the season’s first two episodes. ![]() The series certainly plays with notions around who is a villain and who isn’t, as Season 2 shifts into gear and the motivations and actions of individuals begin to get more than a little muddy. I have to do some pretty horrifying things, and there’s some showdown with Leanne that was pretty wild.” Ramping up the Horror From left to right: Dorothy (Lauren Ambrose) Julian (Rupert Grint) and Sean (Toby Kebbell).Īmbrose, whose character is simultaneously unlikeable and sympathetic, says she was shocked when she read the script: “I feel like we go from thriller, a little into horror. When the second series arrives on January 15, prepare yourself to be wrong-footed once again as it picks up the story where it left off – with Leanne and baby Jericho’s disappearance at the hands of a cult.įandom spoke to the cast – which includes Toby Kebbell as Dorothy’s husband Sean, and Harry Potter alumnus Rupert Grint as Dorothy’s brother, Julian – about the biggest surprises in store for their characters in the series. It’s created by Tony Basgallop, with M Night Shyamalan performing Executive Producer and director duties. The series, about a strange nanny, Leanne (Nell Tiger Free), who enters a couple’s home to care for a reborn doll designed to help grieving mother Dorothy Turner (Lauren Ambrose) deal with the loss of her child, is a psychological horror thriller with more than a measure of the requisite Shyamalan weirdness thrown in. If you think you can predict where the show’s sophomore season will take us, think again. Those who were glued to the unfolding mystery in the debut season of Servant – which premiered on Apple+ – will know that expecting the unexpected was par for the course. ![]()
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