![]() Open the CyberLink PowerDirector application, and import the video into the timeline, as shown below. So, let's consider the below steps to fade out music or fade out audio in PowerDirector audio ducking! The audio ducking element in PowerDirector has automated the audio adjustment in terms of keyframes. Part 1: How to Use Audio Ducking to Fade Out Music in PowerDirector?ĬyberLink PowerDirector is a video editing software with impeccable features, including Motion Tracking, Magic Movie Wizard, Encoding, Action Camera Tools, and so on. So, here, we would like to discuss the audio ducking function of CyberLink PowerDirector along with a suitable alternative - Wondershare Filmora. However, selecting the most straightforward process and genuine video editor is the user's responsibility to get the task done effectively. ![]() So, the different voices would pop up and needs an adjustment according to the scenario. You can see the very typical application while balancing the background music with the person speaking there. The audio ducking is commonly to balance two audios. I hope you're already aware of the audio ducking feature if you're into video editing or any music industry. Premiere Elements still comes top for animation, with its Bézier curves for both path and acceleration between pairs of keyframes however, PowerDirector is catching up."Can you explain to us the simple method to execute audio ducking?” ![]() It helped make animations appear smoother and more natural, and is something that Adobe Premiere Elements 12 currently lacks. It’s carefully implemented, blurring not only for motion but also rotation, scale and skew animations. It’s further enhanced by a Motion Blur tool, which blurs animated elements according to the direction and speed of their motion. PowerDirector already excelled in its ability to animate text, graphics and video clips around the frame, with curved motion paths and multiple keyframe lanes that give precise control over animations. ![]() The other three new effects – Lens Flare, Water Reflection and Magnifier – are welcome, too, and help bring the creative effects up to the same standard as PowerDirector’s accomplished colour correction. There’s precise control over the shape of the sharp and blurred areas, and it’s easy to animate them via the comprehensive keyframe tools. Tilt-shift blurs the picture except for a band or ellipse of sharp focus. It’s a simple idea that proved useful in cutting down the time it took to trawl through raw footage. Now it can also detect sections that include speech. Some templates were buggy, too, transitioning to one clip but then jumping unexpectedly to another.Ĭontent-aware editing was introduced in version 11 to guide users towards the best bits of clips, based on analysis of motion, faces, shaky camerawork and poor lighting. ![]() The templates are nicely produced, but we’d prefer to see more of our footage rather than lengthy transition animations. The interface was clumsy and we found it hard to keep track of which media had been used. The Theme Designer did nothing to convince us otherwise. We struggle to muster much enthusiasm for these kinds of editing modes, which tend to churn out clunky edits. The Theme Designer draws on those instant-results templates, but lets users mix and match them and gives more control over which photos and videos are used where. Version 12 follows the same formula, with new features for all types of users. ![]()
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